If this was all that was required of her –
to be this girl,
in this white dress –
frilled and flounced –
to walk forever to and fro
on this green lawn,
wending and weaving
between these hoops,
and carrying this ridiculous
croquet mallet, smiling politely –
how would that be?
If this was all that was expected –
to be pretty enough, to talk,
to laugh at the right moment –
and not at any other –
to sip tea
from a bone china cup,
to breathlessly decline
to play again –
would that be sufficient?
Or would there always be some part of her
the shock of anger
a sudden spilling of blood –
bright red, staining
white dress, bone china,
Back on that magic mushroom...
I reached for spices
and spilt the turmeric
on the grey slate floor –
such a shock of yellow,
as if I’d dropped pure sunlight,
or a Van Gogh pigment,
or the deep heart
of a golden rose.
I left it there all day.
It’s a bland day –
a day of mashed potato sky
and porridge coloured distances –
and yet these girls
have filled the kitchen
with a spice gold light –
they’re in there –
one ginger, one nutmeg,
vanilla skin and saffron eyes,
rustling cinnamon secrets…
Mish at dVerse has asked us for a quadrille – 44 words in any form that you can manage – containing the word “spice”.
Alice is off her head
she should never have drunk
that tiny drink, or eaten
that little cake, so small,
and so innocuous – and now
her face is bigger than her head
and her feet are a million miles away –
but even though the room is
kaleidoscoping round her
and the walls are tumbling
and she can only swim
in her own tears
she thinks she can find
her own reflection
and emerge through that.
What is the purpose of your journey?
is it business, or pleasure?
is it for the purposes of strange adventure?
is your journey really necessary?
will your soul shrivel without the sight
of the great blue ocean? will you really
fade away without the touch
of the desert air?
have you travelled here before?
have you packed advisedly –
sensible boots, cloak of
invisibility, sunhat? did you
pack your dreams yourself?
or are these someone else’s cast-offs?
This is for dVerse, where Bjorn asks us to ask questions. It was inspired by Welshstream’s contribution. Welshstream is here.
As I write I explore a landscape that changes around me. Sometimes I follow narrow paths that lead me to strange and fantastical places. Sometimes I struggle to clamber over fallen rocks, looking for paths that have been shattered and hidden. I see a temple on a distant mountain, and start making my way there, but find myself distracted by a silent pool, or a particular tree. I start to walk about my garden and end up diving into an ocean wave. I want to explore what it would be like to be a tree. I want to visit a silent world of dark roots. I want to fly with rooks. I want to dance on a moonbeam. And I’d like you to be there with me. I’ll try anything – give me a form and I’ll have a go. Give me a prompt and I’ll roll it round in my hands a few times, until it gives me a new path to venture down, a new scene to describe. I want to live a thousand lives, and take all the roads I couldn’t follow.
Evening grass is green
morning grass is pale with dew
soon there will be frost
Toni is hosting at dVerse, and wants to know why we write the way we do. I never think of myself as having a recognisable style – though I probably do. And I’ve just realised that my haiku probably says much more about me than I intended it to…but that’s poetry, isn’t it?
I am but a minstrel, a singer of songs.
A righter of wrongs.
And I sing to make my mistress happy.
And I sing to bring her peace.
When my voice and my lute
do not suffice,
I unsheathe my sword
And I become….
The most boring man in the castle,
with your humming and strumming
and endless “fal-lal”s –
such a shame all the dragons are dead
or I’d pack you straight off on a quest,
but instead I must just nod along
as you sing your ridiculous songs,
and wish that I wasn’t so bored,
and that I had a bloody great sword!
Apologies to Charley, who gave us the first 2 stanzas as one of Jilly’s September bricks.
Words, once set free, blend in the wind
breathing a timeless existence;
Some grow wings to fly to heaven
They ask gifts for the gentle tongue
Breathing a timeless existence,
words illuminate our soul
Memories do falter in time
consequences of words live on.
Some grow wings to fly to heaven
But some stay rooted in your heart,
Send out new shoots and soft green leaves,
Impossible to pull them out.
They ask gifts for the gentle tongue,
They give their own gifts to the world,
The fruit they give is the sweetest,
It grows sweet in the warmth of love.
Another set of ripples for Jilly. The first two stanzas are Imelda’s.
I have previously blogged this, but I’m doing it again for Jilly’s Casting Bricks challenge. I did a poetry reading the other night, and read this, and somebody commented that it ended very quickly, just as they were starting to get into it. I tend to write pretty short poems, but it struck me that maybe I hadn’t actually finished this, just stopped writing it.
there are ghosts at my table tonight
I write, not mentioning that
my table is a pale rectangle
of wood, so that perhaps
you picture your own table,
round, white, plastic –
or a dark mahogany oval,
and your ghosts are
the dark ring left by
a wine bottle, the last time
you had dinner with
a long lost lover,
or the scorched place
where you set down a pan
too quickly, the day
you heard that news
about your sister, while mine
are the assorted stains
and scratches left by my
children as they leave their
childhood, not quite ghosts,
waiting to fade.
Awake my soul into a dream
A dream of robins’ poetry
Whereon tickly fluff of dandelions rhymes
And in silken crepuscular rays the verses stream
I hear a heartbeat
Dripping warm dewdrops of mead
Into the wind
Into her melodies of angelic sweet
And how will my soul sleep again
While the sky throbs eggshell blue
And each cloud is a wish, a whisper of time
And my heart’s song is a sunset of crimson rain?
I sing my heartbeat
Waiting for nightfall to soothe
Me into rest,
A twilight lullaby, achingly sweet.
Lots and lots of links. The first stanza comes from Colin the Pescetarian Poet who has posted it for Jilly’s September Casting Bricks challenge. The challenge is to take a posted poem and create a response that forms a complete poem. Colin says he wrote Vernal Flutter when he was much younger, and has translated it from the original Chinese. I wanted to respect that youthful, lyrical feel, and have tried to recreate his rhyme scheme. I read elsewhere that he was trying to capture the butterfly feeling of excitement without mentioning butterflies, so I’ve tried to make a poem about coming down from that feeling of excitement. I didn’t read the original as an anxious poem, so what I’ve written is more about those heightened feelings you get when you are in love for the first (or second, or…) time.